Never-before-seen works, writings and photographs offer insight into the life of Jean-Michel Basquiat as a teenager in New York in the late 1970s. The times, the people and the movements of the city help Basquiat form his artistic vision. With: Jim Jarmusch, Alexis Adler, Al Diaz, Fred Brathwaite aka Fab 5 Freddy, Lee Quiñones, Felice Rosser, Jennifer Jazz, Luc Sante, Carlo McCormick, Glenn O'Brien, Michael Holman, James Nares, Coleen Fitzgibbon, Kenny Scharf, Sur Rodney (Sur), Patricia Field, Mary-Ann Monforton, Diego Cortez, Bud Kliment.
Nommé aux César 2018 dans la catégorie du Meilleur film documentaire. Chaque année à l’Université de Saint-Denis se déroule le concours "Eloquentia", qui vise à élire « le meilleur orateur du 93 ». Des étudiants de cette université issus de tout cursus, décident d'y participer et s'y préparent grâce à des professionnels (avocats, slameurs, metteurs en scène...) qui leur enseignent le difficile exercice de la prise de parole en public. Au fil des semaines, ils vont apprendre les ressorts subtils de la rhétorique, et vont s’affirmer, se révéler aux autres, et surtout à eux-mêmes. Munis de ces armes, Leïla, Elhadj, Eddy et les autres, s’affrontent et tentent de remporter ce concours pour devenir « le meilleur orateur du 93 ».
They are very young and come from all over the industrial districts of Tuscany, so different from the famous hills of Chianti: the steelworks of Piombino, the port of Livorno and the Piaggio factories in Pontedera. It is the red province of “houses of the people” and the Italian Communist Party. Getting away from this region is a dream for them, but this is 1968 and everything is possible! They receive an offer they can’t turn down, a tour in the Far East: Manila, Hong Kong, Singapore. Armed with musical instruments and a desire to sing, they set off hoping for success but find themselves in the middle of a war, and the war is the real one of Vietnam. Fifty years later Le Stars tell the story of their adventure amongst American soldiers, remote jungle bases and soul music.
In Arabic, "Yallah!" could be translated to "let's go", an encouragement to go further, to keep going. In a crowded cafe of Qalandia refugee camp, during a football match, one "Yallah!" echos another: excitement, passion, frustration sometimes. "Yallah! Yallah!" is Mohammed's journey toward the realization of his dream.  The movie is also a journey through Palestine.
Suspiria e dintorni, il nuovo libro nell’ambito della collana dedicata dalle edizioni Ardigiland all’uso artistico della luce nel cinema e nel teatro. I curatori Piercesare Stagni e Valentina Valente hanno intervistato Tovoli partendo dai test effettuati per la fotografia per arrivare ai processi di stampa, permettendoci così di rivivere un’incredibile avventura estetica. Dopo l’incontro proiezione di Suspiria nella versione restaurata a cura di Luciano Tovoli per iniziativa dell’americana Synapse Film.
Escaping the Temple tells the intensely personal intertwined stories of three sensitive, individualistic and rebellious modern dancers each reaching a crossroads in their lives. They must all resolve their issues to move forward. Escaping the Temple shows a China not well known to the West, a new vision where ancient beliefs and culture collide with the moral and spiritual vacuum of modern-day capitalism. We show a generation who have turned their back on politics and social change and search for new directions.
Primo documentario sulla leggendaria Mavis Staples, musa ispiratrice del giovane Bob Dylan, che con il gruppo The Staple Singers, formato dal padre, dalle sue sorelle e dal fratello, si è imposta come icona della musica gospel e soul e dei diritti civili per gli afroamericani con Martin Luther King. Dai canti di libertà degli anni 60, ai successi degli anni 70 fino ad oggi, Mavis è rimasta sempre fedele alle sue radici. Potenti esibizioni live, rare immagini d'archivio, conversazioni con amici e coetanei - tra cui Bob Dylan, Prince, Bonnie Raitt, Levon Helm, Jeff Tweedy, Chuck D - raccontano le lotte, i successi e le storie intime di una donna che, giunta ai 75 anni, è ancora attiva e vitale, con una nuova generazione di fan. E il suo messaggio di amore e di uguaglianza, oggi più che mai, è ancora necessario.
To celebrate The Chinese New Year buffet and screenings. "Still tomorrow" by FAN JianYu Xiuhua is a poet. Yu Xiuhua lives on a farm in Hengdian, in central China’s Hubei Province. Yu Xiuhua is a woman. Yu Xiuhua has cerebral palsy. Yu is outspoken, wry, articulate, and ardent. Her frankly sexual poem “Crossing Half of China to Sleep with You” went viral on Chinese social media in January 2015, turning her into a nationwide sensation. Director Jian Fan follows Yu as literary fame opens up new possibilities for her at the age of 40. She embraces her new life eagerly, with no-nonsense aplomb. The text of Yu’s poetry is rendered beautifully onscreen accompanied by lush, languid visuals. Through Yu’s story, Fan subtly uncovers the conflicting dynamics of desire at play between urban and rural life, between men and women, and between an individual and societal norms. 
Da quando la piccola Amal è tornata nel suo quartiere, ricorda solo un grande albero che non c’è più. Un sicomoro su cui lei e i suoi fratelli si arrampicavano. Si ricorda di quando portava il caffè a suo padre nel frutteto. Dopo è arrivata la guerra. Amal e i suoi fratelli hanno perso tutto. Sono figli della famiglia Samouni, dei contadini che abitano alla periferia della città di Gaza. È passato un anno da quando hanno sepolto i loro morti. Ora devono ricominciare a guardare al futuro, ricostruendo le loro case, il loro quartiere, la loro memoria. Sul filo dei ricordi, immagini reali e racconto animato si alternano a disegnare un ritratto di famiglia prima, dopo e durante i tragici avvenimenti che hanno stravolto le loro vite in quel gennaio del 2009, quando, durante l’operazione ‘Piombo fuso’, vengono massacrati ventinove membri della famiglia.
They are very young and come from all over the industrial districts of Tuscany, so different from the famous hills of Chianti: the steelworks of Piombino, the port of Livorno and the Piaggio factories in Pontedera. It is the red province of “houses of the people” and the Italian Communist Party. Getting away from this region is a dream for them, but this is 1968 and everything is possible! They receive an offer they can’t turn down, a tour in the Far East: Manila, Hong Kong, Singapore. Armed with musical instruments and a desire to sing, they set off hoping for success but find themselves in the middle of a war, and the war is the real one of Vietnam. Fifty years later Le Stars tell the story of their adventure amongst American soldiers, remote jungle bases and soul music.
Al via la seconda edizione del “Carine Film Festival”, un vero festival del cinema con proiezioni e ospiti che avrà luogo all’interno di una scuola della Capitale, l’I.C. Via delle Carine, a due passi dal Colosseo! La prima parte del “Carine Film Festival” si svolgerà il 22 e 23 febbraio 2019 e in seconda battuta nel mese di maggio. Il festival presenterà film di qualità editi e inediti, cortometraggi e lungometraggi, la cui originalità permette di entrare in problematiche sociali e psicologiche volte a far riflettere e sorridere gli spettatori. Le proiezioni, presentate dai ragazzi dello staff (alunni ed ex alunni della scuola), saranno accompagnate da interventi di registi, produttori o attori che ha partecipato alla realizzazione delle opere. Il festival, aperto a tutti e gratuito, è stato quest’anno reso possibile da un finanziamento ottenuto grazie al “Piano Nazionale del Cinema per la Scuola” promosso dal MIUR e dal MiBACT e dalla collaborazione dell’Associazione arcobaleno di voci della Mazzini.
A train travelling from one coast of North America to the other is home to a revolving community of artists, performers and musicians, including Patti Smith and Beck. They collaborate and share their visions in a series of short happenings. First release at the Sundance Film Festival. Doug Aitken is an American artist and filmmaker. Defying definitions of genre, he explores every medium, from film and installations to architectural interventions. His work has been featured in numerous exhibitions around the world, in such institutions as the Whitney Museum of American Art, The Museum of Modern Art, the Vienna Secession, the Serpentine Gallery in London and the Centre Georges Pompidou in Paris. He participated in the both the 1997 and 2000 Whitney Biennials, and earned the International Prize at the Venice Biennale in 1999 for the installation “electric earth”. Aitken received the 2012 Nam June Paik Art Center Priz
Many of us know the freedom of our twenties-unfettered by responsibilities or mortality, inventing ourselves in the rush of the moment. ALL THESE SLEEPLESS NIGHTS viscerally summons that feeling, chronicling life across two Warsaw summers when students Kris and Michal resolve to experience life to the limit. After Kris breaks up with his long-time girlfriend, anything seems possible and Warsaw is his playground. Along with best friend Michal, handsome and wide-eyed, they roam the metropolis at night, floating from party to party, dancing until dawn in makeshift clubs and city squares.
Aperitivo, proiezioni e dibattito a cura di Re:Common e il Nodo Solidale. Un filo rosso lega territori distanti, un processo sistemico che distrugge i territori creando un mondo di esclusi, di inascoltati. Tra queste macerie alcuni territori si organizzano e costruiscono alternative autonome. Un passo per capire il Messico di oggi tra estrattivismo e malgoverno e questo filo che ci riporta in Italia per conoscere territori dimenticati dove l'interesse delle multinazionali prevale rispetto alla natura e alla salute della popolazione.
Skopje, Macedonia. With the economy in recession and wage payments months overdue Vele, a mechanic who work in a train depot, struggles to afford medicine for his ailing father afflicted with a cancer. When he accidentally finds in a wagon a packet of marijuana, clandestinely smuggled and hidden on an incoming train, he steals it to make a cake for his father, to relieve his pains and passing it off as an experimental new treatment. Soon the grapevine is buzzing with news of Vele’s miraculous healing powers and he suddenly finds himself cornered by an odd-couple of gangster goons on the trail of the drugs and the nosy neighbors who queue outside his apartment door to clamor the recipe for the “healing” cake.
On the Road Film Festival. An itinerant and independent cinema festival, both on the road and borderline. Errant images, displacements and psycho-geographical drifts. Call for Entries and Regulations 2018. Please read carefully the terms of the regulations before submitting your film. In order to submit your film, an online entry form must be filled out either on Detour website or, alternatively, on one of the associate web-based platforms.
Alla Quattordicesima edizione, questo è il corso che cercavi. Se hai perso la prima lezione contatta la docente per un recupero privato e per l'iscrizione! Sei ancora in tempo. Una docente professionista che metterà a disposizione tutte le sue conoscenze e il suo sapere, non perderai neanche una lezione perché la potrai recuperare. Patrizia Copponi è fotoreporter dal 1980. Ha collaborato con i maggiori settimanali, quotidiani e mensili italiani ed esteri. Si occupa da decenni dell’Organizzazione di attività culturali sulla comunicazione visiva e dell’insegnamento della Fotografia. Insegna al Detour dal 2012 con dedizione e passione.
Claire Lescot is a famous prima donna. All men want to be loved by her. Among them is the young scientist Einar Norsen. When she mocks at him, he leaves her house with the declared intention to kill himself... But the story is much less important than the scenery : this movie intended to be a manifesto of the modern decorative arts. *** Live music impro by Mike Cooper. ***
Rike embodies a typical Western model of happiness and success. She is educated, confident, determined and committed. We see Rike's everyday life, as an emergency doctor, before she fulfills a long-held dream and sails out to sea alone in her sailing boat. Her goal: Ascension Island in the Atlantic Ocean. But her dream holiday is quickly broken off on the high seas, when, after a storm, she finds herself near a stricken fishing boat. Around a hundred people are about to drown. Rike follows maritime law and radios for help. As her request is going nowhere, she is forced to make a momentous decision.
Skopje, Macedonia. With the economy in recession and wage payments months overdue Vele, a mechanic who work in a train depot, struggles to afford medicine for his ailing father afflicted with a cancer. When he accidentally finds in a wagon a packet of marijuana, clandestinely smuggled and hidden on an incoming train, he steals it to make a cake for his father, to relieve his pains and passing it off as an experimental new treatment. Soon the grapevine is buzzing with news of Vele’s miraculous healing powers and he suddenly finds himself cornered by an odd-couple of gangster goons on the trail of the drugs and the nosy neighbors who queue outside his apartment door to clamor the recipe for the “healing” cake.
Prima visione a Roma. A seguire incontro con il regista Eugène Green a cura di Art Digiland. In una Lisbona onirica pervasa dalle sonorità struggenti del fado, Julie, un’attrice francese che parla il portoghese, è stata scritturata per le riprese di un film ispirato al testo delle Lettere Portoghesi, nel ruolo di una religiosa del 17° secolo che si innamora di un giovane ufficiale francese. Attraverso i suoi incontri, cerca dare una nuova direzione alla sua vita.
When Mette Holm begins to translate Haruki Murakami's debut novel Kaze no uta o kike (Hear the Wind Sing), a two-meter-tall frog shows up at an underground station in Tokyo. The Frog follows her, determined to engage the translator in its fight against the gigantic Worm, which is slowly waking from a deep sleep, ready to destroy the world with hatred. More than twenty years ago, Mette read a novel by Haruki Murakami, who had yet to reach literary stardom. Back then, she had no idea how the Japanese author's imagined worlds would steadily shape and transform her own. Since then Mette Holm has spent thousands of hours translating Murakami's puzzling and widely discussed stories to his Danish readers.
Halla, a woman in her forties, declares war on the local aluminum industry to prevent it from disfiguring her country. She risks all she has to protect the highlands of Iceland-but the situation could change with the unexpected arrival of a small orphan in her life.
Trailblazer Yayoi Kusama’s turbulent quest to become a world famous artist is documented in Kusama - Infinity; as a rival of Warhol in the ‘60s, Kusama battled sexism and racism in America while her hallucinations of polka dots eventually led her to the Tokyo mental institution she has called home for over 30 years.
A look at the economic paradox of technological unemployment, wherein modern society focuses on creating jobs, but technology offers people the unique opportunity to work less and less. In The Same Boat is an artistic and sophisticated analysis of the effects of globalisation on the world, which presents an optimistic argument for the future of the planet. Guided by some of the world's leading radical figures, from Zygmunt Bauman to Serge Latouche, In The Same Boat travels the world discovering the views of its people on work, happiness, the environment, and the economy. Supported by Rudy Gnutti 's stunning cinematography and compositions, this film will transform your understanding of the modern world. 
In 2010, Saudi Arabian writer and activist Hissa Hilal did something unimaginable she starred in the Arab World's biggest televised live poetry competition. In a society where the art of poetry is alive and well, 'Million's Poet' is a hugely popular X-Factor style talent show. Storming through the rounds, and becoming progressively more political in her critique of religious extremism and her patriarchal society, Hilal became the first woman to reach the show's final speaking with wit and lyricism on live tv to an audience of 70 million (Rotten tomatoes).
“We need other kinds of stories,” Donna Haraway implores as she faces the camera. “Storying otherwise,” in Haraway’s expression, is an apt characterization of the work of this paradigm-shifting thinker, whose contributions to feminist studies of science and technology resist and even rebel against hegemonic ways of thinking and living. But what form should such stories take? What might they sound or feel like? To watch Fabrizio Terranova’s Donna Haraway: Story Telling for Earthly Survival (2016) is to know that the filmmaker took Haraway’s imperative to heart. Both subtle and explicit filmic techniques mimic, comment on, and evoke the rhythms that sustain Haraway as a thinker, a storyteller, and a human being. In experimenting with different kinds of storytelling—bending the genre of documentary by fusing the intimate everyday with the playfully surreal—Terranova brings one of the most evocative social theorists to life and demonstrates the supple, transformative nature of storytelling itself. (From  "The Society for Cultural Anthropology" SCA web site) ."Donna Haraway is brilliant, passionate, original and a leading intellectual force of our times. This portrait offers an intimate glimpse into the style and imagination of this charismatic thinker.". Anna Tsing.
The documentary, set in the Federico Fellini media school in the San Basilio district in Rome, tells about the training courses for a group of teenagers and what it means to be teachers in uncommon contexts such as those in the suburban schools. A journey into class life through choral voices and faces that show us an incredibly dense world to discover, exuding the vitality of teenagers, hopes, dreams, but also burdened with difficulties, fears and uncertainty towards the future.In this microcosm, the strong and peculiar relation between teachers and pupils emerges, all different in their identities and personalities: the first engaged in educating, inventing methods, tools, actions, within a didactic scheme based not only on formal models of teaching but, above all, deeply intertwined with neighborhood life situations and real and individual experiences experienced by students; the latter inclined to represent themselves in a scene that is not fiction but a mosaic of fragments of raw reality, true life, rebellion, resistance, expressed with the language of the word and body, often instinctive and grammatically incorrect but always incredibly vital.
Stazione ferroviaria di Viareggio, 29 giugno 2009, ore 23:48. Un treno carico di GPL deraglia. Il gas fuoriesce, entra nelle abitazioni. Ore 23:50, uno due tre esplosioni. 32 persone muoiono nelle loro case. "Il sole sulla pelle" racconta la storia che non può essere dimenticata di chi è rimasto e lotta per avere giustizia e verità. Un documentario che esplora con la nostra umana curiosità il rapporto che ognuno di noi ha con il dolore, le grandi paure e i grandi sogni. Fino a che punto possiamo capire e condividere il dolore degli altri? Questo dramma ci ha scosso la coscienza e ha distrutto le nostre sicurezze. Poteva accadere ovunque. Poteva accadere a chiunque. Noi siamo figli e siamo padri. Queste storie ci appartengono. Docufilm tra i finalisti ai Nastri d'Argento 2019. In sala saranno presenti il regista Massimo Bondielli e l’autore/produttore Gino Martella, insieme a i familiari dell’Associazione Il Mondo Che Vorrei Onlus Viareggio.
Inspired by the early years of two Russian rock stars from the 1980s, Kirill Serebrennikov's film pays tribute to the Leningrad underground scene just before the dawn of perestroika. Premiered in competition at the 2018 Cannes Film Festival.
The first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand's integrity, her principles and her legacy.
Agnès Varda goes on the road with street artist JR to create remarkable, moving portraits of the people they meet. Here’s a wonderful warmth and playful indirectness to this essay/road movie in the classic nouvelle vague spirit, conjuring a semi-accidental narrative in the midst of what is ostensibly a documentary.  It is a collaboration between the 90-year-old director Agnès Varda and a 35-year-old French street artist who styles himself simply JR and always wears a hat and dark glasses, indoors and out – an opaque mannerism, almost a disguise, which Varda compares to her old comrade Jean-Luc Godard, and which irritates her a little bit.
In 2010, Saudi Arabian writer and activist Hissa Hilal did something unimaginable she starred in the Arab World's biggest televised live poetry competition. In a society where the art of poetry is alive and well, 'Million's Poet' is a hugely popular X-Factor style talent show. Storming through the rounds, and becoming progressively more political in her critique of religious extremism and her patriarchal society, Hilal became the first woman to reach the show's final speaking with wit and lyricism on live tv to an audience of 70 million (Rotten tomatoes).
Proiezione in anteprima del videoclip di "Move", seguita da una performance live di Rbsn. Ingresso con tessera. Gratuito per i soci detour. Diretto da Brando Pacitto, "Move" rappresenta il mito di Sisifo applicato all’umanità moderna e all’industria musicale. Spingere una roccia che per il suo stesso peso torna al punto di partenza, l’importanza delle transizioni e l’inganno della sottomissione sono i concetti che hanno ispirato in primis il brano (http://bit.ly/Move_song), realizzato insieme a Roberto Angelini presso Pyramid Produzioni, e successivamente il video scritto a quattro mani da RBSN e Brando Pacitto ed interpretato magistralmente da Valeria Bono e Chabeli Sastre Gonzalez.
The first film to encompass the remarkable story of one of the true icons of our time, as she fights to maintain her brand's integrity, her principles and her legacy.
When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville "Unite the Right" rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. THE BRINK follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement.
Musical improvisation on five Dance Short Films directed by American pioneer film-makers Maya Deren e Hilary Harris, performed live by Luca Venitucci (Accordion), Giusi Bulotta (Double bass), Mauro Pallagrosi (Soprano Sax), Andrea Liberati (Guitars).
In occasione dell’uscita del suo libro fotografico Unusual Visions, l’incontro con il fotoreporter Emiliano Pinnizzotto sarà un’opportunità per conoscere il lavoro documentaristico dell’autore attraverso i racconti e le immagini di quattro suoi diversi reportage premiati a livello internazionale che rivelano un’India insolita. Una testimonianza fotografica di realtà molto particolari e semi sconosciute al grande pubblico, ma ancora presenti nel subcontinente indiano.
Come i più affezionati e accorti di voi avranno sicuramente notato, questa settimana la consueta programmazione del Detour si svolgerà solo il giovedì e il venerdì e sera. Durante il weekend, invece, la sala diventerà il set cinematografico per le riprese di un cortometraggio ideato e diretto da un nostro socio. Cogliamo l'occasione per ricordare a tutti i soci la possibilità di utilizzo esclusivo della sala e il bar/foyer per i loro progetti artistici e professionali. 
In this dark fairytal Swedish actress Eva Melander buries herself in the role of Tina, an ostracized woman who feels out of place in society because of her otherworldly appearance. The peculiar creature she plays in director Ali Abbasi’s foreign-language Oscar submission suggests the unholy offspring of Quasimodo and a Tolkien Orc. But that’s just the starting point for an entrancing and unexpected love story when Tina — who works a lonely job in border security, using her rat-like sense of smell — wakes up to her superpowers when she meets a fawning man (Eero Milonoff) who looks just like her.
Box office hits in France. In three months a homeless shelter for women is set to close as the result of an administration decision. The social workers running the centre will do whatever it takes to reintegrate the women back into society. They have no protocol, everything is permitted... but time is running out.
Ryszard Kapuscinski was one of the 20th century’s principal and most colourful war reporters. He reported on 27 revolutions during his career, was imprisoned 40 times and sentenced to death four times. He was primarily active in Africa as a correspondent for a Polish news agency. When civil war erupted in Angola in 1975, he was the only foreign reporter on the ground. His book Another Day of Life describes how that diamond and oil-rich country was used as a Cold War pawn. Kapuscinski’s writing style is subjective, sometimes even surreal. This animated adaptation does complete justice to his form of literary reportage. Hallucinatory impressions of chaotic firefights are recorded in a graphic-novel-like style. Interviews with the main characters were made in real life, 40 years later – some have become successful, others have gone mad. This is a story, but no work of fiction.
The story of a community of black people in the American South during the summer 2017, when a string of brutal killings of black men sent shockwaves throughout the country. A meditation on the state of race in America, this film is an intimate portrait into the lives of those who struggle for justice, dignity, and survival in a country not on their side. DIRECTOR’S NOTES. I have told stories of the American South which were unfolding before my eyes in unexpected ways. I have documented clusters of today’s America where the seeds of anti-institutional, reactionary anger (which gifted the country with Donald Trump as the new president) were already planted, but no one cared to notice. This time, I intended to dig even deeper into the roots of social inequality in America, by focusing on the condition of African Americans. While preparing the film, we were able to establish deep bonds with several people, and gained access to neighbourhoods and communities that are off-limits to most. I soon realised that most of the people I met felt strongly about two dramatic events in Louisiana’s recent history: Hurricane Katrina (2005) and the killing of Alton Sterling (2016). Both events are the result of institutional negligence, of a socioeconomic divide between rich and poor, and of strong endemic racism. Moved by anger and fear, people wanted to get a chance to tell their stories out loud. I hope that this film can facilitate a much-needed discussion on race and the current plight of African Americans who, now more than ever, are witnessing the intensification of hate crimes and discriminatory policies.
Halla, a woman in her forties, declares war on the local aluminum industry to prevent it from disfiguring her country. She risks all she has to protect the highlands of Iceland-but the situation could change with the unexpected arrival of a small orphan in her life.
Ryszard Kapuscinski was one of the 20th century’s principal and most colourful war reporters. He reported on 27 revolutions during his career, was imprisoned 40 times and sentenced to death four times. He was primarily active in Africa as a correspondent for a Polish news agency. When civil war erupted in Angola in 1975, he was the only foreign reporter on the ground. His book Another Day of Life describes how that diamond and oil-rich country was used as a Cold War pawn. Kapuscinski’s writing style is subjective, sometimes even surreal. This animated adaptation does complete justice to his form of literary reportage. Hallucinatory impressions of chaotic firefights are recorded in a graphic-novel-like style. Interviews with the main characters were made in real life, 40 years later – some have become successful, others have gone mad. This is a story, but no work of fiction.
The fascinations of filmmaker Peter Greenaway, whose motto is "art is life and life is art,"are captured like butterflies and arranged in an alphabet, a form that suits him perfectly as an encyclopedist. In intimate conversations with his perceptive 16-year-old daughter Zoë, we discover the whos, whats and whys about Greenaway. They begin with A, which stands for Amsterdam, but could also stand for autism, Zoë suggests. Greenaway’s boundless creativity, unconstrained flow of words and passion for collecting certainly bring this to mind, and he admits to wearing the label with pride. The playful conversations don’t shy away from more painful topics; we hear that Greenaway hasn’t seen two other children of his for years. And later, heartbroken and in tears, Zoë asks him if for once he’ll stop talking like a commentator. Zoë’s spontaneous questions penetrate Greenaway to the core, enabling his wife, multimedia artist Saskia Boddeke, to make a deeply personal portrait not only of the artist, but also of Greenaway the father in his battle against time.
Based at the legendary DETOUR Arthouse Cinema, in the heart of Rome since 1997, ON THE ROAD FILM FESTIVAL is devoted to contemporary independent cinema - fiction, documentary and experimental - presenting travelogues, urban and waste-land wanderings, real or imaginary topographies, unexpected detours, psycho-geographical drifts, migration and nomadism. We look for films that develop, through linguistic and narrative skills, a critical and inventive approach to the subject guidelines of the Festival: a traveling mood with digressions from fixed paths, where the route is what matters, not the destination. The Festival hosts screenings, master classes, meetings, art exhibitions, live performances and music, both at DETOUR Cinema and at a variety of cinema venues, film clubs, schools, public libraries and other unusual locations in Rome and and in its surrounding area. DEADLINES: Early Bird > April 30, 2019 | Regular > August 31, 2019| Late > Sept 15, 2019 
First big autumn event at Detour Cinema dedicated to cinema and live music: Le Grand Lunaire (Adriano Lanzi, electric guitar; Paolo Di Cioccio, oboe and theremin) sonorize LA CADUTA DELLA CASA USHER (France, 1928) by Jean Epstein, based on a story by Edgar A. Poe. For the film "The Fall of the House of Usher", the great film theorist and highly original author Jean Epstein used the twenty-eight year old Luis Buñuel as assistant director, realizing, more than a faithful transposition of the homonymous story by Edgar A. Poe, a composite fresco of atmospheres and themes dear to the American writer, also drawing on other works such as Ligeia and The Oval Portrait, resulting in a unique work of its kind, with effects similar to those of the current of Expressionism, although obtained with means and entirely different theoretical assumptions.The soundtrack by Le Grand Lunaire underlines the sense of suspension and time dilation, the claustrophobic fatalism, the disconcerting points of macabre and paradoxical humor. The electro-acoustic duo Le Grand Lunaire moves between writing and improvisation. In the stratification of the material there are chamber suggestions, timbric alteration of the instruments, and rock/jazz matrix rhythmic cells.
Based on his a true story, THE RIDER stars breakout Brady Jandreau as a once rising star of the rodeo circuit warned that his competition days are over after a tragic riding accident. Back home, Brady finds himself wondering what he has to live for when he can no longer do what gives him a sense of purpose: to ride and compete. In an attempt to regain control of his fate, Brady undertakes a search for new identity and tries to redefine his idea of what it means to be a man in the heartland of America. "A delicate and tremulous thing, at once confident and gentle, lyrically composed yet as stoic as the American masculine ideal it so carefully deconstructs." - The Front Row. 97% tomatometer!
“We need other kinds of stories,” Donna Haraway implores as she faces the camera. “Storying otherwise,” in Haraway’s expression, is an apt characterization of the work of this paradigm-shifting thinker, whose contributions to feminist studies of science and technology resist and even rebel against hegemonic ways of thinking and living. But what form should such stories take? What might they sound or feel like? To watch Fabrizio Terranova’s Donna Haraway: Story Telling for Earthly Survival (2016) is to know that the filmmaker took Haraway’s imperative to heart. Both subtle and explicit filmic techniques mimic, comment on, and evoke the rhythms that sustain Haraway as a thinker, a storyteller, and a human being. In experimenting with different kinds of storytelling—bending the genre of documentary by fusing the intimate everyday with the playfully surreal—Terranova brings one of the most evocative social theorists to life and demonstrates the supple, transformative nature of storytelling itself. (From  "The Society for Cultural Anthropology" SCA web site) ."Donna Haraway is brilliant, passionate, original and a leading intellectual force of our times. This portrait offers an intimate glimpse into the style and imagination of this charismatic thinker.". Anna Tsing.
Wyatt (Peter Fonda) and Billy (Dennis Hopper), two Harley-riding hippies, complete a drug deal in Southern California and decide to travel cross-country in search of spiritual truth. On their journey, they experience bigotry and hatred from the inhabitants of small-town America and also meet with other travellers seeking alternative lifestyles. After a terrifying drug experience in New Orleans, the two travellers wonder if they will ever find a way to live peacefully in America. A landmark counterculture film, and a "touchstone for a generation" that "captured the national imagination," Easy Rider explores the societal landscape, issues, and tensions in the United States during the 1960s, such as the rise of the hippie movement, drug use, and communal lifestyle. Real drugs were used in scenes showing the use of marijuana and other substances. The movie's "groundbreaking" soundtrack featured The Band, The Byrds, The Jimi Hendrix Experience and Steppenwolf. Detour presents the recently digitally restored version of the movie, curated by Cineteca di Bologna.
In this dark fairytal Swedish actress Eva Melander buries herself in the role of Tina, an ostracized woman who feels out of place in society because of her otherworldly appearance. The peculiar creature she plays in director Ali Abbasi’s foreign-language Oscar submission suggests the unholy offspring of Quasimodo and a Tolkien Orc. But that’s just the starting point for an entrancing and unexpected love story when Tina — who works a lonely job in border security, using her rat-like sense of smell — wakes up to her superpowers when she meets a fawning man (Eero Milonoff) who looks just like her.
A healing path using the power of dreams, theatre, poetry, and shamanism. Psicomagia - An Art to Heal, Shows how psychological realisations can cause true transformation when manifested by concrete poetic acts. The film Includes many examples of the surreal but successful actions Jodorowsky has prescribed to those seeking his help. While living in Mexico, Alejandro Jodorowsky became familiar with the colourful and effective cures provided by folk healers. He realised that it is easier for the unconscious to understand the language of dreams than that of rationality. Illness can even be seen as a physical dream that reveals unresolved emotional and psychological problems. Psychomagic presents the shamanic and genealogical principles Jodorowsky discovered to create a healing therapy that could use the powers of dreams, art, and theatre to empower individuals to heal wounds that in some cases had traveled through generations. The concrete and often surreal poetic actions Jodorowsky employs are part of an elaborate strategy intended to break apart the dysfunctional persona with whom the patient identifies in order to connect with a deeper self. That is when true transformation can manifest.
In the 1990s many people in Kurdistan were taken into custody and interrogated under torture; their killers disposed of the bodies by throwing them out of helicopters, or burying them in acid-filled wells. Thousands were murdered/disappeared by paramilitary forces—such as Jitem and Hizbul-Kontra—that were financed and supported by the state, though they have always stuck to the line: “We didn’t do it.” The documentary ‘BÎR’ looks at the case of seven people, including four children, who were disappeared from the town of Kerboran [Dargeçit] in 1995, and tells the story of their families’ tireless search for their bones.
A healing path using the power of dreams, theatre, poetry, and shamanism. Psicomagia - An Art to Heal, Shows how psychological realisations can cause true transformation when manifested by concrete poetic acts. The film Includes many examples of the surreal but successful actions Jodorowsky has prescribed to those seeking his help. While living in Mexico, Alejandro Jodorowsky became familiar with the colourful and effective cures provided by folk healers. He realised that it is easier for the unconscious to understand the language of dreams than that of rationality. Illness can even be seen as a physical dream that reveals unresolved emotional and psychological problems. Psychomagic presents the shamanic and genealogical principles Jodorowsky discovered to create a healing therapy that could use the powers of dreams, art, and theatre to empower individuals to heal wounds that in some cases had traveled through generations. The concrete and often surreal poetic actions Jodorowsky employs are part of an elaborate strategy intended to break apart the dysfunctional persona with whom the patient identifies in order to connect with a deeper self. That is when true transformation can manifest.
Il più famoso "film di strada" della storia del cinema. Il tema classico del viaggio si mescola con quelli della cultura alternativa degli anni '60: marijuana, musica pop, protesta hippy, pacifismo, crisi del mito americano. Davvero epica la colonna sonora con brani di The Band, Byrds, Jimi Hendrix e Steppenwolf. A presentare il film, nella versione appena restaurata a cura della Cineteca di Bologna, sarà lo sceneggiatore e scrittore Marco Videtta.
May I Be Happy reveals the significance of "mindfulness" practice in transforming the lives of young people. Through poetic cinematography and sequences of teachers leading sensitive or boisterous practices to kids from different backgrounds, the film brings awareness to the benefits of mindfulness as a way out of violence and suffering, and as an attainable solution for younger generations. Covering varying approaches to mindfulness by a range of San Francisco Bay Area programs, May I Be Happy reminds us of children's natural capacity for wellbeing, resilience and happiness.
Years after the shocking murders that made the name Charles Manson synonymous with pure evil, the three women who killed for him - Leslie Van Houten, Patricia Krenwinkel and Susan Atkins - remain under the spell of the infamous cult leader. Confined to an isolated cellblock, the trio seem destined to live out the rest of their lives under the delusion that their crimes were part of a cosmic plan, until an empathetic graduate student attempts to rehabilitate them."A delicate and tremulous thing, at once confident and gentle, lyrically composed yet as stoic as the American masculine ideal it so carefully deconstructs." - The Front Row.
Sibylle Schönemann era una regista della Germania dell'Est. Nel 1984, lei e suo marito sono stati arrestati dalla Stasi e detenuti per poi andare in esilio nella Germania occidentale. Dopo la riunificazione, è tornata in patria con una troupe cinematografica per incontrare i suoi "carnefici", che non hanno mostrato alcun rimorso…
On completion of the Global Climate Change Week 2019 Detour Cinema presents a cinematic meditation on humanity's massive re-engineering of the planet. ANTHROPOCENE: The Human Epoch is a four years in the making feature documentary film from the multiple-award winning team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky. Narrated by Alicia Vikander. | "Masterfully detailed, captivating you visually with a subtle yet haunting musical layer to tell a difficult yet necessary story." | "To reach a better future, we have first to imagine it. Anthropocene elucidates our monstrous deeds in a way that is observational rather than condemnatory." | "As the filmmakers release us from our trance, we emerge concerned, horrified, but hopefully motivated to do something.". Official Selection for the Sundance, Toronto and Berlin International Film Festivals.
A Chinese man, who once fled China on foot before finding a home in Greece and starting a successful business, wanders the packed corridors of a Greek ferry. He looks kindly at the exhausted refugees wrapped in blankets, while he talks in voice-over about his own privations, giving us a different perspective on the European refugee crisis. This man is a volunteer on a team led by Suzanne, also from China, who thinks that the Chinese community should help their adopted homeland of Greece. Under her tireless leadership, all kinds of aid are distributed: on Lesbos, in Pireaus, in the center of Athens—wherever she finds refugees. Suzanne is an inimitable whirlwind who draws in everyone around her, from her shabby-looking Greek husband to a high-strung dog, a drunk professor and a wayward daughter. The only thing she cannot totally overcome is the skepticism of her Chinese acquaintances.
The documentary is based on the life and career of British fashion designer Alexander McQueen, from working class to the top. An intimate, well-sourced, and overall moving look at a young life and brilliant career that were tragically cut short.
El Pepe is the guerrilla-style cognomen of former Uruguayan President José Mujica, who led the South American country from 2010 to 2015. Double Palme d’Or-winner Emir Kusturica started work on a film when Mujica was in the last months of his presidency. A series of conversations between the two titans is the backbone to El Pepe, a Supreme Life. Kusturica opt for an impressionistic and intimate portrait rather than photographic detail or regurgitating facts. He mixes in footage from Costa Gavras’s 1972 political drama State of Siege as representing the era. But for the most part, Kusturica is happy to sit back, smoke a cigar and let Mujica have his moment.  The film was played out of competition at the last Venice Film Festival.
Il regista ci propone di incontrare cinque stranieri a Pechino. Come possono ritrovare l’equilibrio in questa gigantesca città dalle sei tangenziali, un compositore tedesco, un imprenditore britannico, due giovani pachistani mandati lì dal padre benestante o un ristoratore inglese che ha aperto un pub? Un incrocio di sguardi su una metropoli in via di globalizzazione. Introduzione a cura di Luci dalla Cina
A true and poignant story from Slovenia: in a sealed mine, deep underground, an immigrant miner finds thousands of bodies thrown into a pit after WW2. He affronts the society to preserve what is left of his own humanity by insisting to arrange a funeral for those bodies. RUDAR premiered at the Warsaw International Film Festival in 2017, was the Slovenian Oscar Entry 2018, and collected 21 Awards at International Festivals, among them Best Film, Best Actor and Best Director..
"Il più influente fotografo vivente" scriveva qualche anno fa The New York Times. Scomparso recentemente all'età di 94 anni, Robert Frank resta tra i più innovativi fotografi documentaristi americani (autore del pionieristico "The Americans" assieme a Jack Kerouac) e il regista iconoclasta di film seminali come “Pull My Daisy” e “Cocksucker Blues”, realizzato con i Rolling Stones. Un artista schivo e rigoroso he ha rifiutato fino alla fine ricchezza e celebrità e le cui simpatie andavano a coloro che, come lui, nella vita hanno sempre dovuto lottare. Restio a interviste e interventi in pubblico e segnato profondamente da tragedie personali, Frank ha esplorato con dolore sentimenti complessi, mescolando sapientemente vita e lavoro e facendo in modo che fossero le sue opere a parlare per suo conto.
Poco prima del crollo della DDR, Helke Misselwitz ha viaggiato in treno attraverso il paese, intervistando donne della Germania dell'Est di varie età e provenienze. Rivelando le loro frustrazioni, speranze e aspirazioni personali e professionali Misselwitz dipinge il quadro di una società che cambia. La proiezione fa parte della rassegna 1989 | 2019 - TRENT'ANNI SENZA MURO curata da Federico Rossin e Alessandro Del Re e distribuita da Reading Bloom. La selezione è volta a presentare al pubblico uno spaccato di vita nell'ex DDR a cavallo del 1989.
On completion of the Global Climate Change Week 2019 Detour Cinema presents a cinematic meditation on humanity's massive re-engineering of the planet. ANTHROPOCENE: The Human Epoch is a four years in the making feature documentary film from the multiple-award winning team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky. Narrated by Alicia Vikander. | "Masterfully detailed, captivating you visually with a subtle yet haunting musical layer to tell a difficult yet necessary story." | "To reach a better future, we have first to imagine it. Anthropocene elucidates our monstrous deeds in a way that is observational rather than condemnatory." | "As the filmmakers release us from our trance, we emerge concerned, horrified, but hopefully motivated to do something.". Official Selection for the Sundance, Toronto and Berlin International Film Festivals.
Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana's mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away. As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason...
El Pepe is the guerrilla-style cognomen of former Uruguayan President José Mujica, who led the South American country from 2010 to 2015. Double Palme d’Or-winner Emir Kusturica started work on a film when Mujica was in the last months of his presidency. A series of conversations between the two titans is the backbone to El Pepe, a Supreme Life. Kusturica opt for an impressionistic and intimate portrait rather than photographic detail or regurgitating facts. He mixes in footage from Costa Gavras’s 1972 political drama State of Siege as representing the era. But for the most part, Kusturica is happy to sit back, smoke a cigar and let Mujica have his moment.  The film was played out of competition at the last Venice Film Festival.
Train driver Nurlan is heading to Baku for the last time before retirement. On its way round the neighborhoods of the city his train snags a blue bra off a washing line. To escape from his lonely existence, Nurlan embarks on the most adventurous journey of his life: to find the owner of this perky piece of underwear. He rents a small room in Baku and begins his quest. With great dedication, Nurlan knocks at every door along the train track. While the women he encounters have their own reasons for letting him into their private worlds, his 'project' does not remain unnoticed by their husbands. The more difficult it gets, however, the more creative and determined Nurlan becomes to convince every woman to try on the bra..
Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana's mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away. As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason...
Festeggiamo con tutte e tutti, socie e soci Detour, la notte più lunga del 2019. Dalle ore 18.30 in compagnia della musica dal vivo dei P.H.A.K.E. [folk'n'roll & spoken words dalla capitale] e le selezioni a cura di dj Paolo. PHAKE eseguiranno per l'occasione un repertorio di brani originali e standard della tradizione folk/blues con l'innesto di spoken words e recitativo musicale.
Eleven-year-old Parvana lives with her family in a one room apartment in Kabul, Afghanistan, which is under Taliban rule. When her father is arrested without warning for being an intellectual, Parvana's mother is left alone to care for their three children. Banned from going out in public without a man, Parvana’s mother risks arrest herself as she travels to the local prison and demands her husband’s release, only to end up being beaten and turned away. As the family becomes desperate for food, Parvana must cut off her hair and disguise herself as a boy so that she can venture out in public and become the breadwinner for her family. She meets a girl named Shauzia who is also dressed as a boy for the same reason...
On completion of the Global Climate Change Week 2019 Detour Cinema presents a cinematic meditation on humanity's massive re-engineering of the planet. ANTHROPOCENE: The Human Epoch is a four years in the making feature documentary film from the multiple-award winning team of Jennifer Baichwal, Nicholas de Pencier, and Edward Burtynsky. Narrated by Alicia Vikander. | "Masterfully detailed, captivating you visually with a subtle yet haunting musical layer to tell a difficult yet necessary story." | "To reach a better future, we have first to imagine it. Anthropocene elucidates our monstrous deeds in a way that is observational rather than condemnatory." | "As the filmmakers release us from our trance, we emerge concerned, horrified, but hopefully motivated to do something.". Official Selection for the Sundance, Toronto and Berlin International Film Festivals.